New York international film festival into cross-media faucets

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Cross media may be a nouveau riche buzzwords, but in the New York film festival established long-term sitting together form superstar sidebar programming as a documentary, the retrospective and recovery of masterpiece. Convergence for an outing in the second quarter, active for a story, the film society of Lincoln Center is equipped with 15 events in a three-day span, almost all of the "cross-media" means that the creep in.
This includes another reality games and movies and social network (" cloud chamber mystery files "), a 3 d movie adaptation of the Broadway play (" Charlie victor romeo "), a found lens DOC about life and impromptu audience members (" no more road trip? "). The title of the panel, such as platform agnostic, specific brands and trapezoidal presentation material, including cory McAbee (" captain ahab's motorcycle club ") and: Elaine McMillion (" hollowing out ") round out of the squad.
"This is a form of art of all forms of art," matt Bolish excited NYFF convergence cooperation programmer. "This is what I have seen the most collaborative, this movie is definitely a tie it all together."
NYFF not just in its auspices multi-platform works included. At the tribeca film festival earlier this year, cross-media programming (under the banner of Storyscapes) officially part of the flag for the first time. Film society eventually hopes to put the programming to other tentpole star remit, such as jewish film festival, as well.
For such fare in a festival of the reasons behind the surge in interest in is obvious. Moving images to make all of these projects is an important part of a growing number of movie producer is pushing the boundaries of the form of digital tools become cheaper and easier to use.
"This is the business is heading for the direction of" Bolish said.
In addition, in across multiple screens, equipment and interactive story, the cross media began to read a lot of people met the media like the way every day. Because NYFF programming, director of Kent Jones points out, "this is a great span of the population engaged in the movement of the image now."

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